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From: mclaren

Subject: Wilson CPS scales - post 9 of 9 

So far a number of the properties of the Wilson combination product set scales have been explored. Further subtleties remain.

Because the Wilson CPS scale-generation method is insensitive to the exact character of the generators as long as they're mutually prime, it's possible to embed entire just tunings or entire equal temperaments in Wilson CPSs.

Example:

Kathleen Schlesinger's Dorian Enharmonic tuning can be used as a set of 12 generators.
Taking 2,12 [1/1,16/15,8/7,64/55,128/109, 4/3,32/22,64/43,128/85,32/21,16/9] produces a valid Wilson CPS:
2,11 [kathleen schlesinger's dorian enharmonic]:
1: 256/255 6.775878
2: 64/63 27.26410
3: 1024/981 74.26884
4: 104/99 85.29975
5: 16/15 111.7313
6: 512/473 137.1644
7: 1024/935 157.4130
8: 256/231 177.9012
9: 4096/3655 197.2132
10: 1024/903 217.7014
11: 8/7 231.1741
12: 2048/1785 237.9500
13: 128/109 278.1789
14: 13/11 289.2098
15: 32/27 294.1351
16: 128/105 342.9055
17: 2048/1635 389.9102
16: 128/105 342.9055
17: 2048/1635 389.9102
18: 208/165 400.9411
19: 128/99 444.7722
20: 512/387 484.5725
21: 4/3 498.0452
22: 1024/765 504.8211
23: 1024/763 509.3531
24: 104/77 520.3840
25: 256/189 525.3093
26: 1664/1199 567.3887
27: 64/45 609.7766
28: 16/11 648.6823
29: 64/43 688.4826
30: 128/85 708.7312
31: 32/21 729.2194
32: 256/165 760.4136
33: 512/327 776.2241
34: 52/33 787.2550
33: 512/327 776.2241
34: 52/33 787.2550
35: 1024/645 800.2139
36: 2048/1275 820.4625
37: 512/315 840.9508
38: 128/77 879.8565
39: 512/301 919.6567
40: 2048/1199 926.8612
41: 208/121 937.8922
42: 1024/595 939.9053
43: 256/147 960.3936
44: 8192/4687 966.6616
45: 832/473 977.6925
46: 16384/9265 986.9101
47: 16/9 996.0905
48: 1664/935 997.9411
49: 4096/2289 1007.398
50: 416/231 1018.429
51: 256/135 1107.821
50: 416/231 1018.429
51: 256/135 1107.821
52: 64/33 1146.727
53: 256/129 1186.527
Schlesinger's entire scale is not embedded in this Wilson CPS superset; however, most of the pitches are present. Only the 64/55 and the 32/22 are missing. For practical purposes, however, the other Wilson CPS pitches fall so close to these that any differences would be inaudible--so in practical terms the Schlesinger scale is present inside the Wilson CPS superset. This raises the possibility of generating superset tunings based on attractive just arrays; and since most just arrays are symmetrical, only 1/2 the pitches would be required as generators.

Equal-tempered tunings can be embedded in the same way. A 17-tone equal-tempered scale can be approximated by the ratios

1/1   776/745   166/153   304/269
   206/175    244/199   576/451
294/221   503/363   433/311     721/147
The scale is symmetrical about 721/147; by inverting the previous ratios the complete 17-TET scale is obtained to within 0.01 cents per scale-step.

This opens the possibility of generating a Wilson CPS from 2,10 [1/1, 776/745,166/153 304/269,206/175,244/199,576/451, 294/221,503/363,433/311,721/147].

Again, the entire 17-TET scale would not be present but those pitches out of tune would be detuned by such a minuscule amount as present but those pitches out of tune would be detuned by such a minuscule amount as to be effectively members of 17.

Thus any given equal temperament or just intonation tuning can serve as the nucleus of a Wilson CPS.

This offers a novel and heretofore unexplored method of expanding tunings to obtain a superset of the given scale. Subsets (AKA modes) are more familiar--but this approach, which uses any given equal temperament or just array as a mode of the superset tuning, promises to prove equally useful.

Many more properties of Wilson CPS tunings remain to be discussed, but as always there's no time.

--mclaren 


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